The sporadic ramblings of Emily C. A. Snyder - devoted to God, theatre, writing, and much randominity.

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Location: New York, New York, United States

Host: "Hamlet to Hamilton: Exploring Verse Drama" | Founder: TURN TO FLESH PRODUCTIONS | Author: "Cupid and Psyche" "Nachtsturm Castle" & Others | Caitlin O'Sullivan in "The Ghost Ship" (Boston Metaphysical Society)

Friday, October 31, 2003

Bring on the boom bass

I'm in a crappy mood. Maybe it's detox from a running sugar high thanks to today's feast day. Maybe it's being waaay overtired with a bed sought past one ay-emma, the first day of one's "friend," a full day of circus leading, chores after school and more teaching, and returning to find that the basement (aka my room) flooded due to a maltreated washing machine. I'm making the latter worse than it is (see: overtired! ;P). None of my stuff actually got wet thanks to guardian angels bugging my sister and Lizzie to wash their hands and therefore find the mess when it was still just in the washing machine area. More, that garish McDonalds red carpet that Mom bought and put down there soaked up most of it. But Dad's stuff did get a little soggy (nothing like when the pipe broke last winter and Johnny's rugs were completely RUINED). And everything was moved into my room. And it smells all awful and moldy down here - and thanks to allergies and removed adnoids, this is also affecting me. So, we finally got all of Dad's stuff out of my room and I pushed my theatre stuff to the sides, and so I can function in my area again. I simply can't abide - not mess, but paralyzing mess. And not on five hours sleep. Poor Dad's completely stressed. He's got this whole issue regarding his "stuff." Anyone who touches anything is immediately suspect of not honouring him, of trying to throw away his things and therefore - presumably - his existence. Gah. Even moving his stuff out of my room!!! was an ordeal. He started yelling at me, and I know I didn't make things much better by putting on my calm voice which I know is threaded with menace, and menace greater because of aforementioned overtiredness and having spent all day dealing with hyperactive teenage boys high on sugar - well.... I have on Chicago right now - "Cell Block Tango" precisely - tee hee hee! "He had it coming!" Oh boy. Yeah. That's nice, Em - oy. Just tiiiiiiiiiiiiiiiiiiired! Things are well, just incredibly stressful. I imagine if my parents were less grounded in God things would be far worse between them right now. Sad but true: I'm considering again that perhaps I would do better not to marry. My hormones knee-jerk react against this, of course - but would I be as childish as Dad? Would I have the patience to deal with another's inanities or be able to temper my own? It's all moot - "it is the cause, it is the cause" - whatever God intends will happen, and even in the daily crosses it will be better than what I would choose for myself. I'm rambling again. It stinks down here. I have a candle going - a rather strong one. I've sprayed Glade all around. And the molding spores float through.... Yeah. Whaddevah. Seek out thy bed, o foolish woman! Seek out thy solitary bed!

Mood: Meh
Music: "Cell Block Tango" a la the movie Chicago - MWAhahahahhahahahahhahah!
A Blog Actually Worth Reading: Church of the Masses "Call me Joe"
Thought: Je detest quand les amis de la famille sont voici, mais une ne dur pas sois gentille avec la amie mutual parce que donc une est "imperiale." Voila, une disparais dans la chambre pendant tout les autres sont en haut, riant. C'est imbecile, mais pour la paix, c'est mieux si une ne vis pas pour un temp.

Thursday, October 30, 2003

Before I Lay Me Down to Sleep

A few things of note:

1) Nicholas Nickelby will be shown to the Sophomores again next year. It's gone over extremely well with both male and female students alike. Sigh - and it's just such a LOVERLY film. Smike *sniffle* SMIIIKE!

2) I has edited moozak. Or rather, sound effects. Stuff like: yugh2 which is a guy cackling while a girl screams in torturous pain. Or yughclock which is a murder of crows over a menacing whisper, while a horse gallops from left to right speakers and a dissonant tower bell strikes the witching hour. Or demonscome3 which has witch's cackling quietly behind a pack of rabid dogs barking, growling and tearing things to shreds, while a succession of other effects overlay: a thunderclap, a demonic laugh, and two devils biting something. It is currently being tested as underscoring sound effects for MwoaF. The last bit works very well because the demonic laugh is clearly audible (everything else is rather sotto voce) just as the applause in darkness end. One word: yugh. But I think it gets the point across. If it's too cheesy, I'll cut it, but it was interesting to work with editing together sound effects again! It's been forever since I have done so.

3) Drama went very well today. I was exhausted and not looking forward to the club meeting after school therefore, but, lo and behold, as soon as we got into actual scenework and - "No, try this this way. Pick it up from the cough. Let's divide up that line - start walking away here." All the little intricacies of theatre, the dance and beat and rhythm of it - WHUH! Yes! This is what I live for - this is what I breathe. So, is good. Is reminder that this is my vocation. (Is peoples, as the third Muppet Movie would say.) I'm copying up scenes for the others tomorrow - heavy on Shakespeare, but how can you beat the master? That and I don't want to push serious on some of the students yet. I'm developing this theory that in order to keep the sense of play IN a play, younger actors should be trained first in comedy and only once they have mastered that, should they be allowed to touch anything resembling tragedy. We have on melodramatic scene - the one we worked today - but both actresses are older and the one who has all the outburst lines actually surprised me: she did very well. We need to vary the lines of course so it's not three minutes of crying and shouting, but most actresses just sound artistically constipated when attempting to "feel." She actually managed honesty - even more amazing since she had only just seen the script about fifteen minutes before! And all props to Marvel comics - it's a scene from an X-Men comic book and although I had the gravest concerns, it actually holds up as a well-written piece of scenework. Who knew? (Still pulling for Rogue and Wolverine a la Paquin and Jackman - but that's just because those actors are AMAZING together.)

4) Tomorrow I change over my room to resemble Heaven. Am going to enlist the aid of students to do so. Am putting up a blue border around the ceiling that looks like sky with clouds underneath. And then I have the fancy Christmas lights that are icicled and scalloped and those I will also hang. I'll also use them for the play of course, too! Oh, and I realized that I can use the reverse of the border that we put up for Bearskin and paint huge birch trees on it for Dream. Neato! Got three belts today for Dream, as well as a FOG MACHINE! FWAH!

5) About that time to go to sleep - actually far past tha time, but whatever, whatever. Bon soir, mes amis. Je vous aime!

Mood: Tra la lala, LA laaaaah...when I go out to dance my Johann meeeets meeeee!
Music: Combo of MwoaF and Chicago (movie version) newly returned to me thank God (the stage version is creepier)
Thought: Cathy Rigby's version of Peter Pan is phenomenal. And when I hear the orchestral version of "I'm Flying!" I tear up. Wow. Y'know what'd be cool? If I get to Heaven, if God would play that music, take my hand, and then we'd go racing around the sky together. That'd be awesome. Oh, and Blues Travellers uses the Pan/Hook analogy VERY well. Even if they're making fun of it. ;)

Tuesday, October 28, 2003

Caritas!

Hurrah hurrah! I did a corporal work of mercy today! You know the one, "Visit the sick and imprisoned"? Well, I must admit, I'd always thought, "Ha, RIGHT. Sure I'm going to visit the imprisoned." But today I was down at the mall, slipping in and out between a school meeting with my fellow religion teachers and tonight's tech meeting for Pirates and I realized that Jules was probably working. There was a large bit of me that said, "Ugh. I have to get HOME. I have so much to DO!" But then I thought - hurrah hurrah! Danke Gott! - "Visit the sick...and imprisoned." Who does not feel imprisoned at a job where they're merely making money, not growing in who they ought to be? So I jogged back upstairs and poked my head in. Unfortunately, there was a lady who had several things she wanted boxed and another lady right behind her, so I didn't stay long - but I did give Jules this fudge thingy that I had thought I'd keep for myself, but, y'know, she needed it. Part of me thought, "Well, I'll just get something else." Then I realized, "What sort of sacrifice would THAT be?" So - glory, glory, alleluia! - I just walked out and back home.

I know it sounds all so silly and pitiful. It is pitiful that this is the best I can muster in terms of doing good, of proving myself a sheep and not a goat. But you know, it's a start. I think for Lent this year I'm going to give up watching movies (with the sole exception of The Passion). I also really want to begin to act more charitably towards others - my family members foremost. At the risk of starting another sentence with "I", I want to make myself worthy to sit in my Father's Court. Last night, I prayed the Rosary, and I realized just how slovenly I was. I felt like a white trash slattern who had been brought to marry the Prince of the land, who was being introduced to His mother and wearing stained overalls at court. OK, yes, that's perhaps overdramatic in statement, but I'm afraid not particularly hyperbolic in truth.

I need to pick up St. Theresa of Avila's Interior Castle again. Lord, please make me worthy of You! Amen. Golly, I sound so insipid - I am insipid. I am in need of a great amount of grace.

Mood: Wistful, sorrowful, penitent
Music: Evanescence - I'm going to do a brief workout in a second, then Pirate-y stuff
Thought: Shoot, how am I going to have the dances I was thinking of with the platforming I have?

Monday, October 27, 2003

How do I end thee? Let me find a way!

Despite the fact that I saw Bullets Over Broadway last night, no I don't mean how to rub a person out. Rather I'm *stuck* (again - supplies!) in Awel. Not stuck really, just trying to figure out how to perfectly end the section I'm on right now. Seems that Agnes is someone with the capability of the othersight? Someone who practices some form of "magic" certainly - neato! Puts a strain in James and Agnes' relationship.

I feel the need to reread Volsky. Almost anything of hers will do. Am reading Landmoor instead. I think I've found a S&S book I can actually recommend - hurrah!

So, I put in Evanescene tonight and danced about to the first two and a half songs - playing with trying to get up and down without taking *forever* to do so, and also attempting to do an "attitude" turn. I've no idea if I've got it right. I don't have a large mirror in my room, so I only turn on one of my lights and watch my shadow dance on the wall.

Which is frustrating. Not the dancing shadow - that's pretty neat. But rather that it reminds me of this one awful song I wrote years and years ago in Jersey which had an amazing bridge, though - something about chasing shadows across the wall and confusing that for the real person or something - drat! It was really poetic!

In good news, though, I came home this afternoon and was inspired to write another song. Just the beginnings still and it's more pop rock than anything I'd be able to put in an opera ballet (at least the ones I know I'm writing at the moment). Around 2 p.m. the weather was simply GORGEOUS. Mild, slightly cool without being cold, that perfect sepia autumnal moment. Around 3:45 p.m., when I got home, it was just starting to threaten rain. The wind was picking up, the leaves were being blown about, a few drops were making the ground slick. So, the song. The lyrics go as follows:

Before the Storm

Before the storm
I walked along the beach
In only barefeet

Before the storm
I danced among
The briny waves

Before the storm
I flung my arms out wide
And sang a song to life
Before the storm
Came and washed it all away

Before the storm
I walked among the trees
And watched the leaves that
Autumn kissed

Before the storm
There was nothing that I feared

Before the storm
I felt the wind come whirl
And rustle all my dreams
Before the storm
Came and turned away the years.

Finis for now

So that's all I have at the moment. Rather Jewel/Dido/Dar Williams-esque. Makes me want to learn how to play the guitar, to invest in nothing but tanktops, and frost my hair. The next bit ought to be either a refrain or a bridge. Haven't decided yet. Regardless, it's nice to get music!

[Edited to add:] (Oy, am I abusing this poor journal! I am no news maeven, I. A rambling writer I, a thing of of thoughts and patches, of weary songs and snatches....) Anywho, I don't think that "Before the Storm" is going to be a "Ah-haugh! You are lost to meeee, and I am so saaaad!" (in one's best Julie voice, of course - complete with flinging of form across whatever surface happens to be accessible). Rather I think it's about either a) midlife and impending death or b) the inability to move when caught up in excessive movement - that is that free will requires stillness in which to operate, drawing on Dante's Canto V here and all the great mystics, of course. Maybe it'll be both. And my brother Johnny is an amazing musician. I kiss his guitar. [End of insert.]

So, right, off to wrestle with Awel again. Voro courteously revised her speech, James allowed some narration that wasn't his own, and Braedon is displaying - shoot - that "ai" Greek word which I'm too lazy to look up. Right response to things. Mwahahahahhahahha! Right, right - off.

Mood: Eh? What? Oooh, Musey-poo! Where ARE you?
Music: Harry Potter and the Philosopher's Stone - John Williams forever! (Or at least when you're writing about winds. Nothing sounds more airy than JW's aires.
Thought: Praying the Rosary is something I need to do more often. I'm finding that I'm getting more and more terrified of Judgement. Curious how these things come and go. And yet, how can it hurt than to goad me on to being a better person? I need to be more charitable. I want to put it off. I can't. Gah! I do the things I hate! Lord, halp!

Edited to add: (Braedon's putting up a fight! Voro's being a domineering diva! Yippee!) Today's superfluous test, a la Jill, who is also writing poetry a la slam. Go check it out.

You are EARTH
YOU ARE EARTH!


Your inner element is one of great dependability
and security. You like things the way you like
them, and you work hard to achieve what you
perceive as the perfect balance of things in
your life. Your drive to succeed is admirable
and second to none. You are the rock in the
storm that people need, the stability in life
that so many lack. Your drive to be the best
often leads to tremendous success in both life
and business - an idea line of work for you.
You tend to be picky about friends and acquaintances,
as you have the same high standards for others
as you do yourself. But when you have a friend
you will stick by them no matter what - you are
a friend to the end. Love doesn't come easily
to you, and you may find yourself searching
through many to find the one you are looking
for. When you find that one you love you will
lavish all your love and affection on them, and
you tend to be very sensual, even decadent when
it comes to passion.

Your greatest strengths are your ability to make a
decision and stick to it and your ability to
remain strong no matter what happens. Your
weakness is your tendency to get too stubborn
and your refusal to give even an inch with even
those you care about. Balancing your strengths
and weaknesses is crucial for you to achieve
balance in your life.

Which of the 5 Prime Elements are you?
brought to you by Quizilla

Sunday, October 26, 2003

Wandrin'! Never did no wandrin'!

I'm attempting to remember the lyrics to "Love is in the air" for the picture to the right, but happy Gaelic music about "I've got a cute boyfriend" is playing off of Faire Celts and the previous song is pretty durn dumb, so I will forgo the pleasure of delving back into disco pop.


Praise God Almighty, Awel Lhiannen is a-coming along! I'm simply a sap for romance, so there's plenty-o-that in there - mainly between James Bobsboy and Agnes Baker's daughter, as has been mentioned before. And to think I thought the main story would be between Braedon Chillblood's daughter and Awel Lhiannen! Silly Emily. Curious, too, to see that there are Elspethian overtones in this story - rather Dickensesque in the Twelve Kingdoms. Never thought Dickens could infiltrate this world so soon. Anywho, must now discern how in the world to segue back to the story within the story (aka Braedon's daughter and Awel).

I think at some point I need to write a short essay about viewing fantasy writing as a form of translation. Ergo, if translating it into our world and our languages, that means that if a country over there is best allied with our Germany, then their language might be translated into German. It's a shoddy excuse, perhaps, for not biting the bullet and following in the line of Tolkien, but I think that it might have merit in those worlds which are so very allied to our own. Perhaps the only viable exception would be those worlds that have no opposite number to our own? Or, more practically, when the author decides to teach us the language actually used (aka do his homework rather than ripping off wholesale). I dunno. There's merit in both means, one supposes. But it bears consideration.

Elsewise, mass was good this morning. Peter was being a scootch because he didn't want to use the misselette. I understand in part, but he simply must learn to use one. Big bad para-liturgist coming through! ;P Besides, the Psalm's verses are ALWAYS lost unless one reads along.

More later; just thought I'd be squishy for a bit. I'm rather sad that I haven't sat down to write anything terrifically amazing in this journal for a week or so. I put it down to expending my energy towards the short story that is DUE. So, onward and upward and back to your regularly scheduled programming.

Mood: Snerk! Why can't there be more wonderful men a la James or Nicholas Nickelby around?
Music: "I am the Voice" off of Faire Celts - wuh! Wonderful!
Thought: Amazing that my boys have really taken to Nicholas Nickelby! Whodathunk? Praise God!

Saturday, October 25, 2003

James Joyce ain't got nuthin on this chick

More blabbings.

Free Cell is an absolute requirement to the writing process on any given computer. I just spent two or three minutes searching through my C drive and programs and accessories before finally going to search in order to find my complimentary copy of brain-numbing electronic joy. Regardless, when I can't think of the next sentence (like right now!), Free Cell is always there.

I think it's about time to turn over Cherish the Ladies to something else. Gaelic Storm, perhaps - or Celtic Mistique? Gladiator worked for a while, but I can't quite figure out what mood I need at the moment. The White Hind isn't quite the convivial family it is in Niamh in the beginning of this piece. (Over on Quilling for those looking.) A tad darker. Brenna isn't as just as she is elsewhere. Interesting to see that Branaugh's apparently letting people slip the Gate (border). Huh - I have no CLUE what world Agnes is from. Vaguely Germanic/Netherlandish/Something-With-Hard-Sounds-And-No-Nonsense-People. Had no clue that Agnes was very dark in coloring. Neat. Rather Bruderhoffy in my mind, at the moment. I can't believe that I mistook James's name for Tom - silly Emily!

But I am stuck. Je suis stuq. Ich bin schtuck. Yo esta stucco. Tee hee hee.

Eleven twenty and only seven pages! It just...I'm not looking at this properly. I think it'll all come together re: what the wind blew in. And how the love of Awel Lhiannan is not constant, although the love of Agnes Baker's daughter is.... Yeah. Something like. Man, Music for Medina is so much better than this is turning out. But I must remember all those scenes THROWN AWAY for MfM. It's simply been a while since I've sat down to seriously write - or rather, since I've run up against road blocks and struggled to overcome them in my writing.

Paul Reubens is in Blow which is not as weird a Johnny Depp film as I had anticipated. Won't watch it again - doesn't really have anything in it worth contemplating. Although I had forgotten that Paul Reubens is Pee-Wee Herman. I like the actor Paul Reubens, but I'm still rather sickened when I think of Pee-Wee. Then I think of Flight of the Navigator....

James Joyce James Joyce.

Sad, isn't it, when one'd rather read Virginia Woolf than James Joyce? Rather Satresque No Exit option, however. Niamh is not as hideous as I had led myself to believe. Confession is an awesome thing. Talking with Kristen is a delight. I'm glad that James Bobsboy is a man of dignity. MwoaF needs to be revised AGAIN for dubbing. I think I may cut the double Julies from it. Need to buy that HD.

Joyce.

Ooooh! Thomas Howard read a really AWESOME Gerard Manley Hopkins poem about beauty the other night. There were some bits that I wanted to craft into a performance. Maybe I'll assign that and the Love Song of J. Alfred Prufrock to my drama students a little later in the year. I wonder if I could swing an Arts Night this year? I think I might be able to. Will I be too worn out? I divide my life into play seasons. Others note their place with bookmarkers. I wonder where the missing Brigadoon tape is.

Joy....

Sorry I'm so rambly! *frolicking through the fields of my imagination*

Mood: Next line, next line....
Music: Faire Celts maybe? Cherish the Ladies just stopped. Maybe To Drive the Cold Winter Away?
Thought: There is no contract when renting a movie from Blockbuster that requires the viewer to listen to the commentary track. This is most liberating.

Summertiiiime! And the going is eeeeeeasy

Slept in today. Haven't done so in a while. Read bits of Niamh in preparation of writing today more in that story due to Arx. Is turning into something that James Bobsboy is telling and then living out - with ref. to Gethin's Mom - as well as, of course, how James and Agnes Bakersdaugther got together. (There is apparently some mytery about Agnes's father's origins...woohoo! I'd NO idea!)

Last night went to see Thomas Howard at Trivvium High School. Curious to see so many stolid academium "elite" but Catholic. The Catholic Concordites, rather. Not bad - just again, I realize that I am so a Franciscan, not a Dominican. Hopefully, though, I'll be able to mirror those two in Dante's Paradisio. Must learn how to here on earth. And the whirligig of thought becomes the Dowager Dutchess...!

Thrones, Dominations didn't quite work for me. Author tried too hard to sound like Sayers. Good attempt, but ultimately failed in my book. The author didn't really BELIEVE in the social, theological, philosophical statements she was making. She just felt the need to make said statements because Sayers did. Likewise, we needn't have had all those winks and nods at Sayers' earlier works and characters therein. Sayers was never one to wink and nod to her audience, but trusted upon their intelligence. Were this merely a work of fanfiction, I should never bring these complaints against it. But it was published as a collaboration. Hah. Ah well - good for her to have tried.

At the Thomas Howard speech last night, got many good ideas. I need to write up a separate post on it, but haven't the time at the moment since a) Confession is waiting and b) so is painting the windowsills. Suffice to say, I got to speak briefly with him, and even give him a copy of Niamh. It was a delight to listen to a learned man. It feeds the brain! (And teaches one how to pronounce piquant.)

God has been very good. Two affirmations from God via students - I actually was allowed to see the fruit of my labor! Thank You, God! I really needed that - and it quite blew me away. Then, too, I got to see Trav when Rachel came to her lesson. Two for one! Rachel is doing quite well - I'm very proud of her.

And can Pirates auditions be really right around the corner? AAAAAAAAAAAAAAAAAAAH! I was working on "Climbing Over Rocky Mountains" dance the other day behind the curtain where the stage USED to be. I figure, hey....

Listening to Andrew Lloyd Webber. He did interesting things, but kept forgetting story. I have decided that I am Jerome Robbins. Which means I must ask RNs to be backstage during performance. Gah!

And another question: why must the show go on? There is no question is must, but why? From whence does this feeling come? One has an idea that it's wrapped up within existence itself. I mean one's own existence, not the shows. It's the same reason that suicide is so abhorrent. The show MUST go on. There is no one to replace anyone else. Life is not full of pinch-hitters. It's exhilerating and terrifying all at once. Terrific in its correct sense.

Who knew that sophistication came from sophistry and vitiation? Hah! Must include that in Sable Valentine.

Mood: So Much To Do!
Music: Best of Andrew Lloyd Webber - sappy and dippy but hummable
Thought: The more we need confession, the less we desire it. And I hate intercoms!!!!!

Monday, October 20, 2003

Mom is right...again

A while ago (look down to see where), after I edited the opening dance of Bearskin, I showed it to my Mom and then asked her, "So...how does this measure up? Against E horo, I mean." Mom looked at me, chuckled in disbelief and said, "Em, nothing will ever measure up to E horo." In typical fashion, I became despondant and then had to spend an hour convincing myself that what I'd done wasn't bad, merely I had asked an unfair question.

But tonight, as I'm preparing for tomorrow's open house, I rewatched the four clips that I put on the DVD (Bearskin opening dance, Twelfth Night rehearsal Toby/Sebastian sword fight, Bearskin "Man without a Face" [I needed a song in there], and Brigadoon "E horo"), I realized: Mom is right. Again.

In E horo, an entire story is told, complete with inciting incident, rising tension, climax and denoument. Heck, it practically breaks itself into a three act structure. More, I realized that I could learn a lot about the Ophelia/Hamlet relationship by rewatching Maggie and Harry interact during the dance. Once again, it's all about eye-contact.

This is not to say that I'm not happy with my other work: merely that E horo works as entire play on its own, with no need to explain anything, really. Whereas the others are plot points, or in the case of the first expository introduction to a snappy beat. But they're not the entirety of the story contained within itself - nor are they meant to be. Anywho, had I my druthers I'd try rerecording the whole DVD again, except that it took about 2 hours for only a fifth of the DVD to be taken up, and I'm still not sure the DVD will read .avi files (rather than .mpg) - and the .mpg that I have isn't as good as the one on my other program, so I may be switching back to the other version of ULead after all and.... Well, we'll see. All in good time, my pretty, all in good time! (Hmmm, perhaps I ought to bring Oz....)

Which, on a related side note makes me wonder if I can really get away with including Bearskin in the drama pitch to prospective students and their parents. But I figure a) I'm really selling myself doing drama at HCH (not that I'm trying to sound braggy, but y'know how theatre works), and b) a third of the Bearskin cast was from HCH so nyah. I wanted the song snippet to be "Real Love of my Life" from Brigadoon but the capture device was being a scootch. Which is just as well - I'm running out of HD space.

Must off. Retreat tomorrow. Apparently a rumour has been going around that the students think either they're going to receive marriage counselling, or be "magic 8-ball" TOLD their vocation, or have to choose their vocation in three hours, or be told who they're going to marry, or.... I set the record straight, but I've a feeling a lot of these kids are still vaguely apprehentious. Good! It's always comforting to see teens off-balance - counteracts that old, "I know everything" mentality inherent to that age. (Not poo-pooing that: I was a snooty teen, too. Then I grew up and realized how little I knew. I'm still learning how little I know. Maybe one day I'll be wise enough to know how little I really know and then I'll be ready to truly sit at Socrates' feet!)

Mood: Dum-de-dum-dum...laaaaah!
Music: Combination of mental jute box overlaid with the best of Andrew Lloyd Webber
Thought: Making posters of past productions and remembering to keep them! is a wonderful thing. Wish I'd known that before I'd dismantled them last time...!

Sunday, October 19, 2003

Stupid, fat, tricksy...

...computer...

I ask you, how is it that my computer when it's working wrongly can make a perfectly good DVD, but now that it's working rightly it's balking at making or reading written (home made) DVD's? Gaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaah!

Not much of a day. Went to Mass. It rained: walking a no go. Felt exhausted. Stared at the computer, attempting to coerce myself to edit. Put on Gerta's song instead. Jill called. I called DJ. I called Ash but she was out. I took a three hour nap. I'm still recovering from said nap. Drove Pete to and from the Edge. Watched my resume on the DVD player upstairs. Frustrated to see that the Bearskin file appears to be corrupted. Have spent remaining time attempting to figure out if a) the file actually IS corrupted or b) the computer's being stupid. My bet's on the latter.

Have been glugging my water. This is good. Frustrated with editing on Chicago DVD. Just show me the stupid dance people! Am feeling more confident having watched my resume (slideshows and E horo were still working fine, thank God!). Have improved. This is comforting. Ought to get together photos for Tues. night. Board meeting for Pirates Wed. Must grade quizzes tomorrow in study. Must start delegating for MND. Finished Good Omens - eh. Love John Cusack but hate his eyelashes. Stupid that such a thing is even a concern. Pity actors. Am wearing a dress for the first time in who knows how long. May wear a dress tomorrow just for kicks - and contacts, too. Can't believe that I'm actually anxious to get the residual perm out of my hair. Les Mis is sweeping and majestic. I have a huuuge CD collection. Can't wait to get Hippolyta's leopard skin vest/dress made. Must get 60 gig hard drive. I'm feeling like I'd fit in rather better wearing skin-tight black and white striped boat necked shirt and black pants with a black beret and shades, smoking a cigarette in a holder, my legs crossed and half a glass of cheap white next to my elbow, red lipstick smeared on the edge of the glass, the green bottle next to the bottle candle that's dribbling onto the checkered table cloth, while people around me speak laconically in Parisian French. Except that were I existentially there I'd be miserable. I think I'll put hellfire under DJ's feet for MwoaF now. Where's Robin Williams when one needs him?

Mood: Fractured. Ah, the strange effects of napping!
Music: "One Day More" from Les Miserables
Thought: Eponine! Eponine! I want to play her! *wimper* And cool idea to make Benvolio Benvolia....

Fever! when you kiss me,
Fever when you hold me tight.


Listening to Michael Buble (bask in the smooth silkiness), Fever to be specific. I'm thinking of using these classic swing/jazz tunes for Midsummer Night's Dream - sort of Love's Labour Lost a la Branaugh for MND. I'll get to play with a new form of choreography and the actors won't have to sing! Very inspired by LLL, the Romeo and Juliet that Hudson High is doing, by As You Like It commentary a la Homer Swander, and my on-going love affair with music in plays. We'll see if it pans out. But I think it'd be fun! I'll have to do some judicial cutting of MND, but I doubt that Shakespeare would really mind. Now, some of the travesties I saw in England.... ;)

So, a few thoughts as per usual before retiring:

1) Any new (to me) Terry Pratchett is nearly impossible to put down (aka Good Omens). Apparently, I'm not the only one so affected: my father is as well. He's reading the book inbetween my reading of it. Makes me laugh.

2) Loverly to hang out with Jill today. Took video of autumn leaves, of the little castle thing in Framingham, and of Jill opening her eyes and resurrecting and looking miserable over her correspondance with "The Shadow." Watched the tango (see below). Swapped stories about her Vampire novel and about MND. Mucho fun. Been far too long. (Oh, and saw Runaway Jury - typical P.C. moral, but great movie. I kept watching the editing - d'oh!)

3) Despite myself, I enjoyed watching the second half of the eighth inning of the baseball game. Shoot - are we turning into baseball fanatics? However, I really don't mind it (as I would mind football infiltrating). And Peter and Mom are really getting into it, Jules, too! Interesting. Velly velly intellesting.

4) Can I say how much I despise pornography? And can I say as well how much I despise, loathe, and violently detest the ease of internet porn? I hate that I open up my mailbox only to find boatloads of porn ads with pictures. I hate that I've been forced to change my e-mail addy because of porn and now my new addy is getting hit with porn! I hate that perfect innocents (or as perfect as fallen human nature allows) are given free access to, are encouraged, are not admonished for watching porn. I abhor that Jennifer Jamison was given THREE WHOLE PAGES in Entertainment Weekly about how great she is, and how porn is so wonderfully everywhere now, and how it's horrible when people look down on her, and see see the hobbits know her, and....

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAH!

I am going to puke.

You know why I hate it? Because, just like sound, images go straight to the brain. It bypasses the ego if you will and goes straight to the id. It bypasses the conscious and lodges in the subconscious rather permanently like fatty tissue. And that's what internet porn is - think of it as intellectual fatty tissue. As the cholesterol of the soul. The hormonal virus.

I'm not immune to that bypass of the conscious. My libido is alive and well, thank you. (As opposed, apparently, with "porn star" Jessica Jamison who views sex as a rather dull and repetitious job. Thank you but no. I'll keep my sex drive in tact, if it's all the same to you.) If explicit pictures are placed before me, I stare in horror and fascination. My animalistic self, the bit that keeps being interfered with by the blessings of the intellect and the soul, perks up and shoves all thought and conscience to the side. It's like watching the proverbial train wreck.

I want to stay pure. I want to - as I said - keep my God-given hormones in tact. I don't want to dull them. I don't want to be ruled by them, addicted to arousing them. I don't want to enter marriage with my brain full of these impossible images, my mind on some picture that was spammed to me constantly comparing my husband with a product of steroids. I don't want to be afraid and ashamed of myself and basically inhibited by what I have seen. I don't want to think less of myself, and I don't want my future husband to feel less of himself. I don't want anything, ANYTHING to come between myself, my future husband, my God, and our happiness.

Porn does just that. It kills something precious. And even worse, society promotes it and then laments the divorce rate and out of wedlock pregnancies and rising abortion. Even worse, porn is sent to our mailboxes under legal jurisdiction. It has been made accessible and so by quietude permissible. But because something is prevalent does not make it right. Sin has always been prevalent, and it has never been right. Sickness is prevalent, and we have never welcomed it. Pain is prevalent and we avoid it.

Nor can it be argued that porn doesn't harm anyone. Porn has harmed me. It has stolen my innocence. It has twisted my brain around to wonder, to probe, to question - and then to feel inadequate, to feel insecure, to feel tempted, to become obsessed. And I'm hardly a purveyor of the stuff. If something so small can affect me, how must those who are addicted to porn be suffering? I say suffering although they may not be aware of their suffering, in the same way that the man with a hangover drinks to feel better. Repetition of the addiction does not remove the addiction, it feeds it.

So, let's look at our sex drive, ladies and gents, shall we?

OK, first, as has been stated elsewhere, each organ that we possess has a specific purpose, meant only for that purpose and no other. Once we start attempting to change that purpose, we fall apart as humans. So, in the case of the stomach. It digests food products, breaks them down and redistributes them to keep the body "fueled" properly. If we swallow a penny, the stomach is unable to digest that, and passes it out in the only way possible. If something truly heinous gets into the stomach, I imagine one would die through some sort of internal complication. In a lesser degree, the consumption of excessive fat, or lack of simple sugars, or too much this or that will also affect the body and make it sicken. Consequently, we're all pretty much agreed - even if we don't practice what we agree with - that to be healthy, one ought to keep away from swallowing pennies or trucks or Barbie dolls or whatnot, and make sure we eat three balanced meals a day and drink our water and get our exercise.

So, let's look at our reproductive organs. First, as Steve Greydanus so succinctly said, they are the reproductive organs, not the "orgasmic organs." Their sole, medical purpose is to be the means whereby new life is created and brought into the world. Nor are they meant for obscure practices of putting them in clamps (would you want a clamp on your stomach?), putting them in places where the sun don't shine (really rips that area, BTW, very unhealthy for more than just the reproductive organ), stuffing foreign objects up them (apparently there really was a case of a prostitute rushed in the hospital who needed a jar of peanut butter removed - the strange things one learns in a medical insurance claims job), by pleasuring ourselves (again, that's about as useful as Peter Pan's "neverfeast" when they pretend there's a banquet in front of them - to continue masterbation is to become sexually gaunt), or using means of barring their purpose (contraceptives tend to work either as a form of sexual bulemia or anorexia, really). If we are to be truly, intellecually honest, we'd all have to admit the primary purpose of those organs, what their purpose is, and what the most healthy use of those organs is, then. If anything, in our craze to be "natural" we ought to comply quite simply with nature. Anything else is the Emporer's New Clothes.

As with many human organs, the reproductive organs have emotional, mental and spiritual ramifications as well. We are not merely beasts. We are unique in our possession of an especial trinity - the body, the mind and the soul.

Physical Aspect: When engaging in the marital act, our reproductive organs are engaged in the means of creating a new life. Awesome stuff!

Emotional/Mental Aspect: When engaging in the marital act, a bond is created; a bond meant to be indissoluable.

In fact, our whole bodies are created in such a way that each level of intimacy draws us closer to that other. A hug, a hand-holding, a kiss on the cheek, a leaning on the arm, a sitting side by side, a linked arm, a dance, a shoulder to cry on, a pat on the back, a touch on the brow, a handshake, a high five - all these draw us closer to each other, whether shared between mother and daughter, brother and brother, friends, mentor and protegee, teacher and student, colleagues, teammates - even between humans and animals. (We become attached to our dogs because we can pet them. Even I, who am not an animal person, have been known to "give in" when a *very* docile cat/dog is placed on my lap. That's what nerve endings do. Nothing wrong there.)

But that final step of intimacy, that marital union reserved especially and sacredly for a man and his wife, is the greatest form of human contact, and creates the greatest bond. A handshake might be considered something like drafting tape. Sex is like super-industrial crazy glue. And no wonder - sex is actual penetration, is physically entering and allowing the entry of another person, without masks, without concealment - it is the greatest intimacy both physically and metaphorically. And man is nothing if not a creature who deals in metaphors. In fact, this act is so great, so immense, so personal (and so comical if you really sit down and think about it), that to fully give and receive it intact, then it must be shared only with one other person.

(And yes, with a spouse of the opposite sex. We are a broken people. We feel this brokenness. And we also see both factually, scientifically, medically, emotionally, mentally, physically, and metaphorically that to become WHOLE is to join completely to the gender that compliments our own. Not to mention, again, that this is the only way those organs are fulfilling their function. One can argue that those organs don't NEED to be fulfilled perfectly, in the same way that one must eat perfectly in order to survive. I would counter that one can live on an improper diet, but not live WELL. Beyond which, I can put a piece of celery in my ear: my stomach won't digest it. The natural order of the organs naturally orders their use as well.)

Let me give you a story of how crucial physical acts are to the emotional state. I've only dated a handfull of times, and have only had one longish relationship. That was in college, with a fellow named Kurt (God bless Kurt) who I really oughtn't have dated for a number of reasons. (Whatever. There has been good that's come out of it, but it's in the Bearenstein Bears way: "This is something you must not do," as Poppa Bear goes off the cliff on the bicycle.) I attended Franciscan University of Steubenville, one of the marvellous meccas of orthodox Catholicism. At the time I was dating, the rage was to save kissing until engagement - or preferably marriage. Well, I was caught up in that idea (I don't know if I still am - a romantic part of me gets all starry-eyed at the notion; the pragmatic part of me says, "Oyveh!"; the hormonal part of me has been sulking for years), and so informed Kurt (you can see where half the problems of our "relationship" formed!) that I wanted to save kissing until I was engaged, so I'd rather not kiss. This is not to say that Kurt didn't try on several occasions regardless (including one memorable attempt when he was sick but showed up for part of a dance and I was as per usual muffled against his chest and then I look up to - gah, I was such a moron - frankly, "look sexy, brooding and romantic," and the boy leans down his head to kiss me and I turn my head to the side and he gets somewhere in the vicinity of the top of my ear).

At any rate, we officially dated for seven months - although things were going downhill rapidly after, oh, week three. On Valentine's Day, we actually got ourselves a date and watched Goonies together in his household common room. At one point, he put his arm around me, touching some part of my arm that - I remember this quite vividly even to this day; sense-memory is an amazing thing - sent a literal chill from my arm to my spine to that part of me that my sulking hormones sulk the most about. I'll never forget it. I sat upright for two seconds, and then relaxed back into his arm. My only thought was, "Oh! I didn't know I had that nerve!"

Fast-forward to May of 97. He's graduating, I'm not, I'm bugging him for a decision: are we staying together or what? I want an answer. When are you going to give it? He named a date he'd tell me. The date came. An evening. Our largish group of friends was throwing a farewell party for the seniors. Tensions were already high because it was May, one of my household sisters was furious at another for not being at the party, and Everyone Knew that Emily was Waiting for an Answer. I walked into that room in the student center. I tried to be polite. Someone asked me if I was OK. Or something...memory is fuzzy...but next thing I knew I was bawling. And you must understand, that I didn't cry at that time. I prided myself on it. I didn't allow myself to cry about anything until just a few years ago. But I absolutely broke down, and my great friend, Anthony, locked his arms around me like a vise, and his girlfriend (now his wife), my household sister, Becky, put her hand on my back. It hurt to have Anthony's arms around me. But it was the best hurt in the world. His arms didn't let me go until all the wracking sobs were out. And all the time Becky kept saying, "It's OK. It's alright to cry. You're allowed to cry." In fact, those words have stuck with me even to this day and changed me quite a bit: You're allowed to cry.

The door opened. I knew because of the sudden deepening of the silence around me. I could feel Kurt behind me. I thought I was going to scream. I thought I was going to fly into a thousand pieces. Anthony's arms were the only thing keeping me together. And then Becky's voice stopped, and her hand left my back. Anthony's arms left me. I straightened; wiped my eyes; turned around. The entirety of my friends stood as one and sidled through the door. They left the cake in the room. (Apparently, I found this out afterwards, they tried playing a game the student center had - Trivial Pursuit or something - and then one of my guy friends crassly asked if he thought it'd be OK to go back in and at least get the cake, for which all of our friends turned on him, denouncing him for a boor. Poor guy. Starving.)

Inside, Kurt and I made our way to one of the couches. I had gone dry, sandpapery, cold. Empty, hollow. I could feel the rings around my eyes and around my soul. I saw Kurt as someone stripped. As just a person. I saw him with distaste - or rather, with no taste as well. He started babbling. Something about how he hated the words "breaking up," how of course it wasn't a breaking up, it was really just friendship, which we'd always had.... More on the same. Ten minutes or so of the stuff. I looked at the clock. I looked at the floor. I looked at the abandoned cake. I looked at my hands. I wanted to scream, "Fine. We're done. Well done. Shut up. Just say the stinking words. There're only two of them. Even you can manage that." All the bitterness I had at my disposal filed itself into one great ball of bile that rested damply in my breast. He said something concluding, and I finally turned to look at him straight on.

Now, we had not had sex. We hadn't kissed. We'd held hands a few times. He'd put his arm around me a few times. We'd danced a few times - mostly posing on my part to look pouty or something, I'll admit. He'd kissed my brow (I hated that, BTW. Mainly because it became more and more distant and patronizing. I had real issues as you can tell! %). We'd hugged any number of times. He'd swung me off my feet thrice (I remember each because I had thought myself utterly unswingable, unflippable, and undippable. He proved me very wrong). I'd been immensely aroused in that one innocent moment on St. Valentine's Day. But by anyone's standards, my own then and now included, we'd been anything but erotically intimate.

Which is why the following thought so completely took me off guard. He was wrapping up his "we're-not-breaking-up-we're-moving-on" speech, when I looked at him. Looked at the guy I'd crushed on for months before. That I'd finally snagged and botched. He is a handsome man, and was no less so that night - although I wasn't feeling particularly tender towards his looks at that moment. I felt very distant. Sound was muffled. I examined him. I knew I didn't want him. My girlish crush had been exposed months before for being no deeper than that. And yet....

"I wonder," I thought, with all the dispassion only break-ups can muster, mixed with all the hormones of a chaste twenty-year old body, "I wonder if I kissed him right now, passionately, on the lips - I wonder if I could keep him a little longer. Make him mine."

It was a thought from my desperately failing glands. It was a thought primaeval. It crept out from that part of me that has kinship with the animals, but even more, it was a thought from that emotional center that bonds completely in the marital act. Curiously, the various parts of my mind were in one concord for just a moment. Libido, pragmatist, romantic, theologian, author, all looked at his lips and answered, "Yes. Yes, if you kissed him now and put all yourself in that kiss, you could keep him."

I didn't kiss him, though. Because just as soon as I realized that I had that power, I knew I didn't want to use it over him. I didn't want to use it over me. If a touch upon the arm, if a held hand influenced my body to such a degree that I was ready to jump the poor boy were I only an animal and not a human with a soul as well as a body and a mind - then I knew I certainly didn't want to kiss him. Because then I would be shackled emotionally to one I knew I didn't love, because of what my body had done. The bond of emotion runs very strong, indeed.

Spiritual Aspects: There is a promise in intimate touch.

There is a promise of eternity in such intimacies that should not be underestimated. And if there is such eternal promise in the simpler intimacies, how daft can we be to ignore that the ultimate intimacy of the marital act is meant to bond us together so that the great vow of "To have and to hold, to love and to cherish, for richer or for poorer, in sickness and in health, for better or for worse, from this day forth, til death do us part" is upheld, solidified, consummated by that physical, mental, emotional and spiritual bond. In my own "bad time" with Kurt, my body attempted to communicate to me that the means of solidifying my relationship was to increase the physical intimacy. Fortunately, my reason overcame my immediate physical response to say, "No. Not he. Wait, wait." But if I do marry, I am confident that the physical consummation will be the thing that helps get us through the bad times, and transform them just as Christ's suffering and death on the cross transformed our sin into His salvation.

A brief word on "ideals:" So, Jill used a phrase today that interested me and touches briefly on this subject. She said she had a friend who tried to hold to the same ideals as myself. It's a curious statement and not an uncommon one. But the very point is that using the reproductive organs to their fullest by saving them for one's spouse, for the purpose of solidifying marriage, and for full self-giving which unselfish, unconditional love is so intense that it actually becomes another person - the very point is that this isn't an ideal. It's common sense. Call it greediness for unmitigated happiness, if you will. But not an ideal: a necessity. This belief needn't be something regelated in the social mind to something "those religious fanatics do" - it ought to be something any sensible person realizes by looking at the facts. That it falls under the aegis of religion - particularly Catholicism - is not surprising: life falls under religion, and science, and mathematics, and psychology, and literature and.... But, it is true that religion - again, particularly Catholicism - is the only voice proclaiming common sense and refusing to budge away from the anchor of truth. But anyone of any creed who has eyes to see and reason to understand should be able to sit down in those moment when the glands aren't merrily going about their business of making sure humans continue to exist, and realize what is the best thing to do...and then to do the best thing, not just the most immediate.

Another Brief Word on the Wonders of Chastity: Mainly concerning my story above. I'm firmly convinced by my own experience, as well as talking to others, candid conversations with friend married and single, seeing my students who are all over the board in this subject, and by various other sources, that the best way to keep the "passion alive" is to be chaste. To be chaste means to use one's sexuality as befits one's station in life. EVERYONE is called to be chaste. Outside of marriage, that means that one does not engage in the marital act nor in those specific intimacies leading to consummation. Inside of marriage, it means remaining faithful to one's spouse, both in body AND in mind - no superimposing Johnny Depp's brooding features over one's husband!

So praciticing chastity before and within marriage (leaving celibacy - a vow to refrain from sexual activity forever - aside for this post, anyway), I guarantee will keep the sex life very much alive. Think of the connoisseur - he eats sparingly, slowly, fully...because he's really tasting the food. No McDonald's for him. Same thing here - to avoid the sexual equivalent of desperate supersizing that does little more than turn one into an unappealing lump, keep chaste.

I've never really kissed a guy. I've stage kissed and had a month or two of itchy kissy lips afterwards. I've had a kiss ripped from me by this disgusting man in Paris (yeah, I really did feel raped, BTW). But for that giving and taking? That self-giving kiss that is a mere prelude to the ultimate self-giving? Nope. But let me tell ya - if judging by conversations with some promiscuous colleagues is any indication, I'm the better for it. While in England, the only topic of conversation (other than our Shakespeare scenes) was sex. And foreplay. And more sex. And positions. And sex again. And partners. And sex. And fetishes. And sex. I contemplated propping buckets of cold water over each of their bedroom doors. I wondered whether it was illegal to neuter. And yet, as I listened, I realized that there wasn't any joy in their conversation. A sense of desperation, perhaps. Insatiable desire. Haunting sexual hangovers. Terrified loneliness. And, even more telling, when I would mention something about ovulation or that thrilling moment when Kurt put his arm around me - they looked alarmed. "Don't talk about that!" they actually said to me. Their problem with me? I was too sensitive. I felt things too much. And yet it certainly served me when it came to play Rosalind. I felt thrills merely touching my fellow actor's Adam's apple. Because I've held myself chaste, I've no doubt that chastity within marriage will be like intoxication with an ever aging wine.

You want passion? Be chaste. Become sensitive again. Relish everything about love and life. I dare you.

5) Right. Two ay-emma. Aie! And I to sleep. Loverly day. Grading papers tomorrow. And weather permitting walking. Perhaps a nice, long walk. Finish up tango. Start work on next bit. Maybe one of the short inbetweener bits. Possibly the wedding dance from Brigadoon for Tuesday's open house (they start in MY room, precious! My prettiful room! And I'm to tell lots and lots about drama. I'd like to have a disc to show on repeat. Certainly pictures. Hurrah!). Gute nacht. And Lord? Please prepare me to be a good wife, for You and for whomever my future husband may be. Please bless my future husband. Keep him safe, God. Watch over him. Amen.

Mood: Tired, but valiant
Music: Michael Buble
Thought: This is the reason I like to keep to the Fairy Tales. They know an awful lot about what's deep down true.

Saturday, October 18, 2003

Errands in Fuzzy Feet

Ah, bliss! I am indoors briefly on this glorious autumnal day to blog, tidy up my lady's chamber, and relate to you m'brothahs and sistahs, the joy, I say the wond'rous joy Ah have found in running errands...in one's fuzzy, multichromate slippers. God bless the U.S. Postal system for having drive-up boxes - no one need see your feet, and your feet may be comfy without the stigma of fashionable Milan mores. One may even get gas, if one so desires (and can find a spot at the full-service - and surprisingly cheaper! - gas station), all without having, Ah say havin' to step one's never-been-manicured but-who's-lookin-anyway feet encased in a Muppet Monster's cast-aways. Joy. Pretty pretty joy.

And even more joyful. Listening again to Greta's song (see below), and seeing that THE TANGO WORKS! It works, precious, it works! There are still a few places I need to tweak just to make the perfectionist happy in me but...golly. Yeah. So - aherm - yeah. This certainly is a dance, as DJ put it so succinctly when he first had to learn his part, after which one makes babies. And yet (bwahahahhahahah) NOTHING HAPPENS. No clothes come off. No one even kisses on the lips. It's all just...looks. Mwahahahahhahahhahahah! Take that, stupid, fat, tricksy, unimaginative, fearful Hollywood. Meh! I burble my lips in your general direction. Watch me come a wuffling! Yeah, so drink cold water while watching, ladies and gents. This is, um, well - yeah. ;) (That said, of course, you'll be yawning fully, and those actual tango dancers among you will scoff *scoff scoff*. Ach, weel....) To see the tango in low res, same rules applying as below, click here.

Saw Intolerable Cruelty last night. I got some good chuckles out of - most uproariously when the Wheezy Hitman guy mistook his inhalor for his gun. It's terrible, terrible but there was something so...FUNNY about it. I saw Jess there, don't know if she saw me; I politely looked the other way. In the movie theatre (I arrived really late - missed the trailers and the first minute), it sounded like I was sitting next to one of my students (it sounded like his laugh anyway) but I couldn't tell. Regardless there were some teenage boys who were obviously huge fans of the Coen brothers right next to me (although, thank God, with a seat free on either side of me - I hate abutting others in the theatre, except for people I know) and so they and I made for a good audience. The rest of the audience was tolerable, but not laughing as much as they could. One wonders if they thought they were coming for a chick flick and didn't know what to do. It was loverly to be out on my own, though. Such a freeing feeling. Good to be by my lonesome. Rather reminds me of that day off I took a while back, when I bummed around Framingham on my own and gave myself a "mini-retreat." Good stuff.

(And equally good is BELTING songs in one's radio-less car. Grinding out "Skidder-marink-i-dink-i-dink," "Shoes for Dancing" a la Jeeves and Wooster, "Greta's Song" with modulation, "Almost Like Being in Love," "Don't Rain on My Parade" - wooHOO!)

*grin* Jules is dragging me away to go get pictures of the autumn leaves with her before we pick up Jill. Toodles!

Mood: Happy, but feeling a bit rushed now
Music: Midi for Greta's Song
Thought: What a day this has been, what a rare mood I'm in, why it's....

Thursday, October 16, 2003

Now if I only had an orchestra!

I finished a first rough copy of the main melody with modulation and recapitulation for Greta's Song (see below for explanation and lyrics). The loudest English Horn is Greta's voice. Supporting instruments include a violin, flute, french horn and contrabass. I'm wondering if I couldn't get in some discreet timpani, certainly more brass, woodwinds, strings, etc. - but this will do as a template for now. Gee it's been a while! :D

The link is here: Greta's Song. It's a midi file so bear with it!

[Edited to add: as of 11:42 there is now also a timpani and orchestral harp track!]

Mood: Accomplished
Music: Greta's Song, silly!
Thought: I wonder if this could also be the song that they sing to each other in the beginning as well? It's haunting, and I'd like to think has SOME of the Slavic overtones that Bartok captured in his four dances.

The Winds Weave Songs Through the Branches of Trees

(Note: My last version of this post just got eaten! Poot.)

I just came back from my walk, which was glorious. All sorts of crunchy leaves and periwinkle clouds, Westward rosy tipped. I simply had to sing for the grandeur of God. This is the result.

The following song is for The Snow Queen, which will be another Opera Ballet based off Hans Christian Anderson's fairy tale of the same name. For the fairy tale click here. The song takes place as Gerda is setting forth to find Kay who has been abducted by the Snow Queen. In Anderson, it's rather nebulous how old Gerda and Kay are, but it always seemed to me that by the time Gerda tracks Kay down in the Snow Queen's palace, they're both about twenty. So for the purposes of staging, my characters will start about eighteen years old. The song is in 3/4 time, in the key of B minor.


GERDA:
Where
Have you gone?
Oh, where
Has she taken you?
Far
From my arms
And the world
That we both once knew.

All that's lovely is lost to me now.
All that's true is now shattered like shards

Of my heart
Which is yours,
Always has been and always will be
In your breast,
Ever warm and alive

Though
She cover you with ice
Though she clothe you in snow

I will hear my heart beating,
To my love, I will go
I will go....

Then I presume the orchestra will modulate, sweep the main theme around while she vocalizes to the accompaniament of a flute on top, and then pick up at the bridge ("All that's lovely...") but hopefully with different lyrics. The bit about "cover you with ice/clothe you in snow" ought to be the Snow Queen's own theme. And it'd be swell if this song became the main theme entirely. I think it may be. It sounds wonderfully swooping and majestic and gliding through a bare-branched bramble forest while the snow sifts to obscure one's sight. *sigh*

Thanks, God.

Mood: Marvellously, swoopingly, majestically, creatively elated
Music: The above, naturallement!
Thought: Waltz-time is good.

All I Want is a Room Somewhere

Far away from the cold night air
With one enormous chair
Ow, wouldn't it be loverly?

...Someone's 'ead resting on my knee
Warm and tender as 'e can be
Who takes good care of me
Ow, wouldn't it be loverly?


I am freezing. Cold cold cold. We has put on a long shirt, we has put on warm jeans, we has put on a sweater and turned up the heat. (And turned on the heating pad, but that doesn't fit the rhyme scheme.) It's is chilly, precious. Not the least of which in my heart. That's a bit overdramatic, but I'm feeling a tad overdramatic! Let me present the life and times a la movie script formatting.

FADE IN:

INT. - MY ROOM - YESTERDAY NIGHT, 6:30 P.M.

Emily rushes out of her house and into her dinky car, after having chewed her guts for half an hour, completely afraid that her incompetence as a director will become evident at the Pirates meeting that begins at seven. She brings with her the shield of her Pirates binder, all pages in order, tabs demarking every new song (even songs within a song) and cheerfully color coded thanks to Office Max repeelable flags. Likewise, she brings an arsenal of pens, but in a moment of desperation forgets the White-Out. She remembers the phone, returns the super-duper replacement three-hole punch to its proper place, decides that she looks presentable enough to appear chic and casual all in one - or at least not frumpy - disdains the hat as "too rebel" despite a lank hair day, and heads off, praying that she remembers the way to the house and that they do indeed have the promised pumpkin lights on.

EXT. - THE MEETING HOUSE - YESTERDAY NIGHT, 6:55 P.M.

After rushing past said house, and turning around, second guessing the empty driveway and overshooting again and then deciding that there really is no need to park in the cul-de-sac but the driveway is meant to be used, and it's alright to be five minutes early, Emily disembarks from the T-Wing Fighter Car. Fortunately, just as she double-checks that her lights are really, really, really off, the Tech Director who is Very Cool and Laid Back and Loves Swashbuckling drives up - much to Emily's surprise (she hadn't thought the TD would be at this particular meeting). Together they go in to the house itself.

INT. - THE MEETING HOUSE - YESTERDAY NIGHT, 7:00 P.M.

Once inside, Emily's insides do a little flip-flop of spasmodic joy to see a model represenation of the stage, complete with miniature Pirate ship, crumbling wall with statue, and General's turret with working door. Things go amazingly well (duh) afterwards, albeit with much hemming and hawing and "whataboutthisway"-ing re: platforms and gangplanks and heights of things, and trapdoors and stained glass and whatnots. By the end of the evening, it is declared that the set is not impossible and will most likely come in on or under budget (which makes the Costume Designer, the Set Designer's sister, very glad - and me too!), and conversation turns to sillyness regarding what to christen the Pirates' Ship. Some form of Les Enfants is suggested: perhaps either Perdu or Terrible following. Some question as to whether the Pirates, being pirates would be U.S.S. or being noblemen gone wrong H.M.S. Conversation turns to cats and dogs and oggling men's boots and reminiscing about Kevin Klein as the Pirate King and eventually....

EXT. - THE MEETING HOUSE - YESTERDAY NIGHT, 10:40 P.M.

Emily finally begs to go home and perhaps get some sleep before teaching. She returns home quite contented, and feeling much more comfortable working with the Savoyards than ever before. There is concreteness in the world.

EXT. - WENDY'S - YESTERDAY NIGHT, 11:15 P.M.

A suspicious looking woman in a white mini-car pulls up next to the Wendy's and orders a spicy chicken sandwich to the accompaniament of growling stomach. She leaves as quietly as she came.

INT. - MY ROOM - YESTERDAY NIGHT, 11:20 P.M.

Emily reenters her room, sits down in front of the computer just to see how the low-resolution version of the tango looks and finds that...

INT. - MY ROOM - YESTERDAY NIGHT, 12:10 P.M.

...she has managed to get suckered into playing with the editing again. She makes another low resolution version and sneers at the transitions and convinces herself that sleep is a necessity. With a great show of will, she turns off the computer. But not before checking again...and again...and again...various sites hoping that empty hope that somehow, somewhere, somesite, someone would have...what? Shouted out:

RANDOM SITE

I love you, Emily! You're the best thing since sliced bread!

Sadly, reading journal entries only lead one to realize one must make phonecalls to check up on folk and see how they're doing, and reading one's e-mail includes a request for Pirates budget information. This is no surprise, and yet - what is sadly also not surprising - this ritual of searching for approval in some form, or rather contact, or rather relation, or rather humanity, or rather escape, or rather anything one supposes - acknowlegement even if not for oneself but for what one has done - is conducted nearly every day. Approval and acknowlegement from pixels? From a keyboard and an LCD screen? For what? From what? How Metropolis have I become, Borg-like, that I seek recognition for existence from that which has no soul? And for what purpose do I seek such recognition? Were I to leave this prison of plastic and wires and the socket abyss, what should I find outside. And therein lies the rub - should I find the outside?

I am in the shadow cave, searching for touch with shadows. Shall I turn and face the light and climb out to blind myself for a time and then return to lead others also to the light? I do in some respect. In The Light, perhaps - but in the smaller everydayisms? I need a human savior of my own. I have The, again - but methinks the remedy lies also in His agencies. And His agencies I dread.

Lord, let me not become a Galatea, creating a perfect world of nothingness, controlling all that I create, building a fortress of paper and smiles. Bring a Paul into my life, I need a Damascus moment - and yet, be careful what one asks for! Slowly, You and I, we're getting me to let people "touch me back." To touch, and then to drift away, sometimes in the very act of pursuit.

INT. - MY ROOM - YESTERDAY MORNING, 12:55 P.M.

After melancholic philosophising, and reading Good Omens by Terry Pratchett and Neil Gaiman, which while vastly amusing has its theology thoroughly wrong, but told in such a charming way that one begins to find one's thinking warping, Emily falls into slumber.

INT. - MY ROOM - THIS MORNING, 6:30 A.M.

A HAND
reaches up and decimates a harmless alarm clock that meeps in terror.

INT. - MY ROOM - THIS MORNING, 7:00 A.M.

Teresa, Emily's guardian angel, kicks Emily awake. Forgoing her goodness, Emily mutters something about excrement and rushes about madly to get ready for the day, remembering somewhere between breakfast and brushing her hair that she forgot to make up the quiz on Shadowlands for the Seniors. Fortunately, she has homeroom to cram together a quiz. Some things rarely change.

EXT. - RTE. 85 - THIS MORNING, 7:35 A.M.

A white car with tell-tale bumper stickers whirls towards Hudson Catholic. Within some determined praying is happening.

EXT. - HUDSON CATHOLIC - THIS MORNING 7:40 A.M.

Emily pulls up her car into a space and emerges as Miss Snyder, a friendly teacher who's going to Make You Throw Out Your Gum. She does the homeroom thing. She makes up the quiz. She gives the quiz.

She teaches about confession in the Old Testament and tries not to throw non-existant pillows at a few students who take the idea of sacrificing animals as tantamount to serial killing. She attempts to explain to said wide-eyed class what the pagan customs of atonement were - aka the Aztecs or the Greeks - and the number of hearts ripped out in the former from humans. She attempts to explain to said students that the human brain is the most inert object on earth and therefore it's taken God quite a while to get us to realize Who the perfect and ultimate sacrifice would be. In a bout of oblivious irony, the class doesn't understand. (Although some of the boys are fascinated about the Aztecs slaughtering conquered tribes. Always mention gore - it shuts the boys up and makes the girls stop passing notes. And it sticks in their brains. Perhaps teaching a la Playstation would work....)

Study rolls around and between explaining to one student industriously doing his homework due for me at the end of the day who Minos was and why he's in the Inferno. Elsewise, she devours Good Omens.

Seventh period, the hour period, sidles up - but alas, it is not free. With good will, Miss Snyder covers for another teacher. Fortunately, the class is cooperative, they do their work, and Emily can get on with reading Good Omens. She is also happily gratified that everyone in the class wants to sing the Salve Regina for their prayer - including the students from last year who complained the most. What was that about mental inertia?

Lunch, also not free. Lunch duty. Drank my water while meaningfully keeping a redundant and watchful eye on the world's most wonderful students. Agreed to help proof a student's paper for another teacher. Felt proud of oneself for not buying a Coke but drinking water. Dismissed the students, and remembered to ask one about how her Mom's doing. (Note to self: encourage her to put a petition card on the board for her Mom.) At the end of lunch, cornered by another teacher about a particular student and how he's doing in my class. Agreed that we're both pretty sure we'll be giving him opportunity for extra credit, oral exams, etc.

Period one and three of the twenty-three students completely bomb the Salve Regina quiz. Must corrale them and offer extra credit. Concerned re: their unwillingness to participate in morning prayer, which - were they at least able to pass the quiz - would be fine. But if it's less intelletual rebellion while one searches and just plain pig-headedness which then bites you in the GPA bum.... Also distressing is the stealing of Miss Snyder's white board markers. One suspects a certain Latin Teacher of unintentionally but quite systematically depleting Miss Snyder's store of teacherly products.

Period four: Shadowlands quiz redux. Good Omens read whilst students attempted to find in their notes anyplace where they wrote down the names of main characters.

Period five and a boatload of: "May I go to the bathrooms?" whelms in. Conversation turns to Incorruptibles with much, "Excuse me"-ing, and "Gentlemen! Please,"-ing, and various devices for playing teacherly Whack-a-Mole. But since it is the end of the day, this is simply par for the course. We manage to at least get something garbled out re: Incorruptibles, check outlines of Canto V of The Inferno, and actually talk about the circle of the lustful. I kiss the feet of Sayers and her wonderful, wonderful notes.

The end of the day has arrived, with, alas, no end in sight. We has detentions, yes we does, precious - which is rather garbled in its organization. It looked like I was meant to have loads and loads of detentionees...and ended up having one. But that one industriously scrubbed my boards and picked gum of the desks and erased the cheery "God bless the Red Sox!" on one desk and the not so cheery "F--- You!!!" on another. Another student who had completely botched the Salve Regina quiz second period took the opportunity to retake the test (extenuating circumstances), and two other students walked in wondering how their grades were doing. Miss Snyder, inbetween, read Good Omens.

EXT. - RTE. 85 - TODAY AFTERNOON, 3:05 P.M.

A white car whizzes along, toodling towards home.

EXT. - SPRING STREET - TODAY AFTERNOON, 3:10 P.M.

In a moment of cosmic exhileration, the white car does not turn onto Frye but continues on Spring, and from thence to Lincoln (with pauses for various turns and traffic lights and oversized trucks which Can Not Park), and to Jenny Craig...which the driver of the white car had nearly forgotten.

EXT. - THE BACK ROAD TO VICTORY - TODAY AFTERNOON, 3:30 P.M.

Rejoicing in learning that one's weight has not altered since last week, a trip to Wendy's is made again - the last one in a long time. Along the road, which has been marvellously repaved and which made the driver of the whtie car feel much more benevolent towards the road-shifters than she has in a while, Miss Snyder (now restored to Emily) ponders the following:

EMILY (V.O.)

How many times have I done this, gone this very road, looked at these trees, ignored that sign, tapped my fingers on the while whilst turning? How would it look to God's eye to overlap all the "me's" - how many years of my life have I spent driving on the local roads, sleepwalking (or driving, as it were), repeating who I was and am and will be? Routine is good, we are a ritual people - but perhaps this is not a road but a rut.

INT. - MY ROOM - TODAY AFTERNOON, 3:45 P.M.

Emily walks into her room, like she's done a million times before, flipping on and off lights as she goes, turning on her computer, muttering a hello to her dad, climbing the stairs, saying hi to Mom and Peter, putting away the groceries, and then going back downstairs to seek solace in pixels once more. The room is freezing, and more than the room, herself. She searches in her clothes for something younger, less professional, yet still warm. She puts those items on. Shivers and turns on the heat. Diligently, she looks for and finds Nicholas Nickolby, music by Rachel Portman, in her school bag. She retrieves it and puts it on her CD player. The music starts up, the heating pad is flicked on to Medium, and she looks to the Symposium, decides to forgo that, looks to journals finds nothing new, looks to e-mail thinking that the alter-ego of Emily C. A. Snyder, choose-your-art-person is now back in command and finds...

...an e-mail. At the top of the list. From an address that she knows will bounce back if she tries to reply. And maybe sometimes God uses us through these soulless pixels after all. Thank you, Jill.

FADE OUT


Mood: A little better.
Music: Nicholas Nickolby
And now: To walk, perchance to exercise

Wednesday, October 15, 2003

60 to 0 in two seconds flat

So, I come out of today after drama rehearsal and a full day of school (with a five minute break to visit Jesus!), and it's gorgeous, windy, leaves everywhere, that promise of perennial autumn, and I even drop by the bank and put my check in my account rather than waiting a day or two, and I'm thinking, "Hey! I'll go home, take a quick walk around the block, and then finish up Pirates stuff for tonight's meeting, and gee I hope I have time to continue the tango and will I have to buy the Chocolat CD again because I can't find mine and I wonder when I can see Lost in Translation" when I walk up the stairs to get myself a chicken sandwich and water and to say hullo to my family, when I'm accosted by Mom who's all weepy - understandably, alas - because Dad can't get his act together to get a job, the economy is crap, Mom is afraid of going to work and leaving Peter in school, I need to give over more or less all my money to help pay the mortgage, Jules is only working occasionally and...*fffffffffffffffffffffffft*

The happiness is gone.

Which really stinks. I mean, it's been a while since I've been utterly, utterly content, and happy and outdoorsy feeling and.... It's not that I blame Mom at all. These concerns are REAL concerns. In fact, we're really in a bad way. And I'll just have to sit down and budget myself out but.... Gah. It's rather like the mini version of my ninth birthday when we received the eviction notice from our landlords. Yeah. It's like someone coming in and cutting the strings of Simon and Garfunkle's guitar in the middle of their singing Feeling Groovy.

And you know what the saddest part is? That I'm so completely selfish that my first gut reaction is: "How can I make sure I still have internet access?" Isn't that pathetic? And yet, not entirely unreasonable, considering most of my work is done on-line. Gah. This is ridikulewakle.

I wish:
* That Dad would get off his blooming arse and get a menial job or two just to help pay bills
* That my other family members would do the same
* That my own college bills were less and my paycheck more
* And/or Niamh would do so well this would be a moot point
* That I didn't have this feeling that I'm going to be the sole support of my family before long
* That I wasn't a woozle when it comes to relating
* That I was more enthusiastic about Pirates
* That I weren't such a moronic fraidycat
* That I weren't so selfish all the time
* That the economy would just shape up
* That I could better practice what I preach
* That I had a shoulder of my own to cry on
* That I weren't such a sap.

Blaugh. Lord...? Amen.

Mood: Crushed.
Music: None. See above. ;P
Thought: Darn it, I'm gonna make that phone call that I need to make, and go for that walk and do my work. Just do the next thing. And remember to pray for this. Miracles have happened before for us. Miracles will happen again.
Residual Silly Happiness: I love this character!
HASH(0x8793764)
You're Francis Flute! "Nay, faith, let me not
play a woman; I have a beard coming."


Which Supporting Shakespearean Character Are You? (many possible results)
brought to you by Quizilla

Monday, October 13, 2003

Thoughts Before Retiring

1) The cure-all of melancholia is to abduct my sister and drive about Massachusetts, looking at leaves and listening to her tell me about her story The Beast's Garden.

2) The way to maintain sanity whilst playing with Man Without a Face is to invite Jules to sit down there with me, just to be there, while listening to cheesy Sarah Brightman and wonderful Gaelic Storm.

3) Actors are low self-esteem woozles. So are directors.

4) I hate the current peer pressure to "experiment" with givens. It's not merely substance abuse, but matter abuse. Let's change the fabric of reality - and then define ourselves by a lie - and then maintain that lie at all costs, even to our deaths.

5) I'm thinking now that I'm not going to play with MwoaF as much as I was thinking. It holds up well on its own. So, tomorrow (hopefully - depending on what happens in the hours between work and going with Jules to see Robin McKinley), I'm so starting the tango. Hrumph!

6) And finally, MwoaF in low quality, as it stands this evening. Still must figure out a better way to do the sound intro, but that's a job for tomorrow. (Just a note: I may be removing these links in time. They do take up space on my server.) The link is here.

Mood: Meh.
Music: MwoaF...still
Thought: Why, if the proof of one's femininity has ceased a mere four days ago, does one have the desire to rampage through a bowl of Orange M&M's? Methinks I will stick to chocolate (and now doth chocolate stick to me!).
What Made My Day: Going out with Jules, eating Jay's breadsticks, getting the tickets for Les Mis (YES!!!)
What Ruined My Day: Being snippy - silly Em!
What One Hopes for Tomorrow: Quickness in meetings, fleetness of grading, perhaps a display of a certain latent knighthood....

I now realize

...why I was feeling so distraught: I'm working on a song about a man who thinks he's damned! A-HA! I hadn't realized how affected I am by whatever section I'm working on - or I knew, rather, and forgot. Can we say that after this song I am SO doing the tango! Hrumph. ;P

Mood: >cracking knuckles<
Music: In a moment, Evanescence - believe it or not, it will keep me going.
Quote: "Parafue!"

At what point, exactly

...does editing a play via translating it into movie format drop over the line of obsessive and become its own creature entirely?

Last night I finished the editing of Man without a Face - the bit that I filmed from the play, anyway. I need to turn up the volume of DJ's voice at the beginning of his singing, but other than that, the visuals of him are done. (Side note: so, OK, it takes, what? About three and a half days to do four and a half minutes and two days to do two mintues, so we're averaging, what? A minute a day? [Provided, that is, I have the time to work on it! %P]) {Side note #2: my back is feeling a bit better, I actually went for a quarter mile walk which I haven't done in forever. Of course, now I've got the heating pad up to full...! =}

Right, anyway, so the saga of last night. I was well enough to go to Mass (alleluia!!!), and then Mom invited Terry and Jay over for lunch. So we hung out with them for a few hours, which was nice (despite Jay giving me all this unsolicited advice about computers - no, really, it was GOOD advice, and I'll probably take it, I just didn't want to be lectured about why I ought to trade in my Compaq now that I've finally got it back and working!). John came over and I showed to all four of them (including Mom) the rough cut for MwoaF. It was a little frustrating though because a) Jay kept talking over it and b) Mom kept trying to get me to explain how I had edited it and c) they couldn't understand at first why they were just listening to a sound file and then they were criticizing the video file which wasn't the actual video I was going to be using so it was a moot point! *nnngh nnngh nnngh* Ah well.

They left for a bit in order to make apples goodies (pies, cakes, muffins, etc.), so I got a chance to work on MwoaF again and...it S-T-U-N-K. I couldn't get ANY of the visuals to match up with the dubbing! Around the time that I was banging my head against the keyboard (while, mind you, the self-loathing lyrics were on repeat in my brain), Mom called down asking if I wanted to order a pizza with her. Seizing the opportunity, I ran upstairs, talked her out of going off our diets, and took a few seconds to encourage her (she was doing bills and things are *very* tight around here). I had literally just reminded her that God provides, remember St. Anthony and the bread!, when the doorbell rings and who's there but Terry and Jay with a YUMMY apple cake! (I ate about half the cake between last night and this morning, I'm sure. So much for the diet.... ;)

We all had a good laugh about that, I hung around upstairs some more, Jay made a pitch about how Dells are so much better then wrote down info for me about getting an external hard drive with 60 gig on it (I'm REALLY interested in that - I think it's the only way I'll be able to make these movies), as well as a better editing software system (may wait on that, although it's tempting!). I was getting sleepy and frustrated by lack of editing even bad editing, when Jules finally came home from King Richard's Faire with Tarra in tow. Jules took my place entertaining and I went off yawningly downstairs. I was just emotionally and physically pooped. But I thought I'd play the piano first.

Bad idea. Well, not bad per se, but piano playing always rawly expresses my emotions, whatever they may be, and I was not in a cheerful mood. Melancholy, yes. Sorrowful, self-pitying, morose - check. So I played ALL the variations on "How can I turn to her" from - what else? - Bearskin, ending with the "Summer is coming bit" and thence into the new version of "My Darling," that is the same quartet melody but over a syncopated tango bass line. Works SO much better. I'm kicking myself for having not figured out it was a tango before production. Gah. Ah well.

And this brings me to the question today. Just before I retired for the evening (meaning, I played the piano, rewatched what I had edited, and then spent the next three hours editing to my satisfaction so that I can say I have the completed DJ version now!), I grabbed Jay, gave him my black suit jacket, had him roll up his purple sweatshirt sleeve, and filled his pockets with my foreign coin collection. I then proceeded to film his hand a) dropping coins in various forms of slow motion, b) from beneath, c) the side, d) above, e) and also him running his hand through said coins. I plan, of course, to put this over the beginning of MwoaF, the intro bit.

So, my question is: am I editing a play? Or am I putting together a movie? And how far is too far for editing a play? I guess, really, it's not question of am I capable of editing together a play without all this need for pick-up scenes, etc. - because I fully intend on just "straight" editing Brigadoon, but rather that I really AM - to the best of my abilities - recreating Bearskin into a completely new medium. Is that an OK thing to do? Am I being overly obsessive? Both Mom and Jay were enthusiastic and even encouraging about my obsessive tendency over this silly thing - and without me even posing the question to them. Which seems to me to say a) YES, I am obsessive but, perhaps they are right that b) Mom: "It's a good obsessive. We need obsessive people to get things done. If you weren't obsessive, you would never get this story told." or c) Jay: "It's because you're obsessive about what you do that you do it well." Which is to say:

Bearskin is not just a play.

I think I must be creating...a template? I mean, yes, it's an edited version for my dearest cast and crew, certainly! But I think I'm also approaching it as: I am editing together a movie, a preview, a rough version to shop around and pitch to...Broadway? Hollywood? Oh, Lord, what am I doing? Some days I get all stupidly premonition-like that "I'm gonna be big!" and as soon as I think those type thoughts I try to bat them down saying, "Don't be ridiculous. Don't set yourself up. Don't get a fathead, you moron. It's not you, it's only what you're meant to do in His time. Don't-get-cocky!" And then another thought jumps up, "Yes, it is all gifts you've been given by God. So it would be equally ridiculous to deny that you have these gifts." And then a final thought says, "Oh, forget it. Don't worry about it one way or another. You'll only make yourself frantic." And then I turn to Jules, with tortured rings around my eyes and she takes one look at me, sighs, and says, "Yes, you're wonderful. Yes, everyone loves you. No, you're not too fat. Yes, you're talented. Yes, [whatever project I'm working on at the moment] is fine. Yes, [whatever project I've just completed] is fine. Have I covered everything?" To which I open up my mouth again, and she cuts me off once more with, "Can I get a Caesar salad? Or will that break the bank?"

I love Jules.

Anywho, I was thinking of the question again because I just downloaded all these sound clips onto my computer for potentially making demon-like, fire-like, spooky-damnation-sounding clips and overlaying them onto MwoaF (provided it doesn't override DJ scream-singing, "THEN if I'm damned as is every weak man") while flame roar up under his feet. I just have to make sure I don't overdo it and get too much into spectacle.

Gah. That's something else that freaks me out and bothers me to no end. Those who watch my plays or review Niamh (and I'm sure it'll happen for my other novels as well - which I have to pick up again - urp!), always tend to comment on the spectacle and/or the style of the piece, more than on the plot, characters, etc. This bothers me because I've always held in lowest esteem those works which focus more on spectacle and leave plot and character completely out to dry. I try to uphold the Aristotelian view of poetics, that plot and character come first and spectacle last. And I thought I'd created pretty good plots and characters that I like to visit and aren't one dimensional...and yet everyone comments on the spectacle.

I've talked it over with Jules and Mom and I think it must be this: as Mom said the other day, I don't view the world and tell stories in the usual way. So, I suppose perhaps people are looking at me as they first looked at Tolkien - who IS this guy, worldbuilding, urg? - or at e. e. cummings - what's with all the formatting? - or at the founders of opera, or even at Andrew Lloyd Webber who revived modern opera. It's not so much that the story or characters (I hope!) are bad - no, they're quite passable - but that it takes time for the audience to deal with the FORM. I don't want to sound pioneer-y or anything, I don't think I can be - surely elsewhere people are doing similar things - maybe in Russia or some place where there's a greater openness to playing with form, where there's less stricture on the "Western" breathless action. Nor am I pioneering "antique" language, since it's antique it's hearkening back, continuing on. If anything, our society needs to get its vocabulary back in line! Dickens and Austen would have thought Niamh very crude in its vocabulary - surely she must know MORE words than that! Gah.

Anyway, which is a roundabout way of saying, "Don't despair, Emily! Just keep trucking along!" As Mom would say, "Just put one foot in front of the other." Or as Gandalf would say, "All you have to do is decide what to do with the time you are given." Simply put, it's the parable of the talents. I'd rather not be the third servant, please. I'll do what I can with the strange coins given me. Maybe I'll go see Lost in Translation tonight - by all accounts there's a non-Hollywood form movie that's doing quite well! It will be heartening to see...I hope. (Indy films sometimes get all weird in the form and forget plot or character. Chesterton's balance all over again.)

Mood: At sixes and sevens
Music: None at present, most likely sound effects and MwoaF in a minute.
Quote: "Where there's life, there's hope." ~ Sam Gamgee