The sporadic ramblings of Emily C. A. Snyder - devoted to God, theatre, writing, and much randominity.

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Location: New York, New York, United States

Host: "Hamlet to Hamilton: Exploring Verse Drama" | Founder: TURN TO FLESH PRODUCTIONS | Author: "Cupid and Psyche" "Nachtsturm Castle" & Others | Caitlin O'Sullivan in "The Ghost Ship" (Boston Metaphysical Society)

Friday, May 27, 2011

AYLI Script Changes...the easy version

So, Jeremy brought it to my attention that what was meant to be just a description of the plot for As You Like It is waaaaaaaaaaaay too convoluted to make notes in your script by.  Here's an easier version.  And you can all hug Jeremy at read-through later.

Pre-Show
Pre-Intermission
1.1
1.2
1.3
2.3
Transition to the forest
2.1
2.2
2.6
2.4 through Touchstone: "And mine; but it grows something stale with me."
2.5
2.4 resumed from Celia: "I pray you, one of you question yond man."
2.7
3.1
3.2 just Orlando's sonnet
    Intermission
    Post-Intermission
    3.2 resumed from Corin's "And how like you this shepherd's life, Master Touchstone?"
    3.3 through Touchstone's "Sluttishness may come hereafter."
    Created transition to show Orlando going w/ Duke Senior & Duke Senior/Rosalind meeting
    3.3 resumed from Touchstone's "But be it as it may be, I will marry thee."
    3.4 (cutting Rosalind: "I met the duke yesterday and had much question with him: he asked me of what parentage I was; I told him, of as good as he; so he laughed and let me go.")
    3.5
    4.1
    Created transition, showing the bad guys and good guys fighting, esp. Orlando & Oliver meeting
    4.2 with no music?
    5.1
    4.3
    5.3 using "Whistle for the Choir" first and then the first few lines of dialogue
    5.2
    5.4 all of the Duke Senior/Orlando lines, followed by Rosalind's "Patience once more while our compact is urged" to her exit, followed by Touchstone/Audrey entrance
      That's basically it.  Not as terrible as it seems, non?

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