Math for Actors
Math for Actors just came in paperback form yesterday from Playscripts, which is tres exciting. And it's got book orders already!
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And Wallace's Will continues to do well, too. Going up for another performance February 2, 2010.
View Wallace's Will in a larger map
All of which conspires to put me back into a playwriting mood. We shall see what we shall see....
Mood: Cautiously optimistic
Music: Philip Glass on rotation
Thought: So, I've been involved...this year (aka before the first month is out, realizing that some of these projects began before the new year) in a ton of plays. Which is the reason, I think, that there may be residual burn-out (or lack of total commitment to) certain mainstage plays, because there are so freaking many other plays going on concurrently. This month, I've been involved with:
Guys and Dolls (Music Director Vocal)
I Never Saw Another Butterfly (Teacher Advisor/Director/Producer/Lights)
The Curious Savage (Teacher Advisor)
The Least Offensive Play in the Whole Darn World (Teacher Advisor)
Charming Princes (Teacher Advisor)
The Importance of Being Earnest (Lady Bracknell! Actor!)
Good.grief. I think I may be missing some, as well. Should we do the school year to date, we'd add directing "Little Women;" rewriting "The French Butler;" writing another play (unnamed); and acting in four David Ives plays. Not to mention running lights for the Winter Concert; field trips (performance) with Symphonic Choir; field trips (teaching/performance) for drama; and surprise conducting (performance) at the school. Random accompaniament gigs, too. And directing/playwriting advisor for the various scenes in Drama I & II.
All of which leads me to shake my head like a bird that's flown into a glass window and wonder at the sheer density (in more ways than one, including "You are my density") of a theatre teacher's job. However, I presume that the High School theatre teacher does significantly more than a collegiate professor - performance-wise - if only because the latter are so...specified to their particular discipline. But, what do I know?
Math for Actors just came in paperback form yesterday from Playscripts, which is tres exciting. And it's got book orders already!
View Math for Actors in a larger map
And Wallace's Will continues to do well, too. Going up for another performance February 2, 2010.
View Wallace's Will in a larger map
All of which conspires to put me back into a playwriting mood. We shall see what we shall see....
Mood: Cautiously optimistic
Music: Philip Glass on rotation
Thought: So, I've been involved...this year (aka before the first month is out, realizing that some of these projects began before the new year) in a ton of plays. Which is the reason, I think, that there may be residual burn-out (or lack of total commitment to) certain mainstage plays, because there are so freaking many other plays going on concurrently. This month, I've been involved with:
Good.grief. I think I may be missing some, as well. Should we do the school year to date, we'd add directing "Little Women;" rewriting "The French Butler;" writing another play (unnamed); and acting in four David Ives plays. Not to mention running lights for the Winter Concert; field trips (performance) with Symphonic Choir; field trips (teaching/performance) for drama; and surprise conducting (performance) at the school. Random accompaniament gigs, too. And directing/playwriting advisor for the various scenes in Drama I & II.
All of which leads me to shake my head like a bird that's flown into a glass window and wonder at the sheer density (in more ways than one, including "You are my density") of a theatre teacher's job. However, I presume that the High School theatre teacher does significantly more than a collegiate professor - performance-wise - if only because the latter are so...specified to their particular discipline. But, what do I know?