The sporadic ramblings of Emily C. A. Snyder - devoted to God, theatre, writing, and much randominity.

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Location: New York, New York, United States

Host: "Hamlet to Hamilton: Exploring Verse Drama" | Founder: TURN TO FLESH PRODUCTIONS | Author: "Cupid and Psyche" "Nachtsturm Castle" & Others | Caitlin O'Sullivan in "The Ghost Ship" (Boston Metaphysical Society)

Monday, July 26, 2004

Und now ve kvetch!

From the continuing annals of randominity:

  • Pictures from MSND are actually working sufficiently (aka, only crashing my computer every once in a while!) for me to convert and save them. Yaaay! Hopefully this means webpage is on its way.

  • Begin runs for KMK this week. How time flies.

  • Teched The Boys Next Door - good times. (The show isn't the Boys of Summer...too bad. That's a GREAT title.)

  • Looking like Arcadia for the Autumn. Wowsers....

  • *singing* Where have all the movies gone? They've been tent poled every one. When will they ever learn?

  • There is insufficent time to do things that need to be done. Or rather, I have sufficient time...just at times other folks don't! Oy! ;P

  • I mentioned at TBND the other day that I thought that, really, most musicals are only "OK," and that there are only a handful of "Great" musicals. When asked to name the top five, the first was "Les Mis" - but then I stumbled for others. See, I would say the movie version of "Sound of Music" and possibly "Chicago" (ditto) are...but then I faltered. "Phantom of the Opera" is only an "OK" musical, because unless you have amazing actors, it's really just a spectacle with AMAZING music. "Sunset Boulevard" is up there, but...lacks something. "Singing in the Rain" is a GREAT musical - but again I mean the movie version, not the recent stage adaptation. "Man of La Mancha" is borderline great - if you have bad leads, it falls. Even "La Boheme" isn't a GREAT opera, although, like "Phantom" it tends to overwhelm the senses and so trick the audience (aka me) into gushing. A GREAT musical/opera is one that survives almost all performances, that makes a good point and makes it well, that has fantastic music AND plot/book...in short, that ends up being a culmination of all the arts with apparent ease.

    I was about to wonder at the fact that there are hundreds of great books, but only a handful of great musicals/operas, when I realized that the reason theatre is more tricky is because you may have one part of the whole created by a brilliant musician/playwrite/director/actor/TD/etc. - but that doesn't necessitate that everything about the musical/opera is brilliant. Look at "Lion King" - Hans Zimmer's background music is GLORIOUS. But it can't drown out the rest of the drivel that is "Lion King." Ditto for the AMAZING music and lyrics for Disney's "Hunchback" - as a movie, it failed (curiously, as a stage show in Disney, it's really, REALLY good). Conversely, only Dickens or Dostoyevsky or Homer or whomever need be brilliant to make their book brilliant.

  • Must go in search of graph paper.

    Mood: *grumble*
    Music: "Close Every Door to Me" from Joseph and the Amazing Technicolour Dreamcoat as performed on the Andrew Lloyd Webber Gold Collection
    Thought: Je veux aller a la cinema!

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